by Simon Reynolds
Throughout the album, there's a blurry, miasmic quality to Brann's production, the aural equivalent of Vaseline-on-the-lens. The way Brann arranges his drums spatially is like landscape gardening, making you gaze into the distance. On the vocoderized ballad "Expand Your Mind", snares crack like thunder on the mix's horizon, while hi-hats bustle right in your face. The wispy drum'n'bass excursion "Bahia" suggests an affinity with softcore junglists like LTJ Bukem and PFM, a common quest for aquaboogie wonderlands.
As with the Good Looking guys, New Age alarm bells occasionally ring: lots of liquidly chirruping birdsong, a Stevie Nicks-esque lyric about a "daughter of the moon" on the otherwise gorgeous "Falling For You". Mind you, in these despiritualized, money-mad times, maybe we need some of that. The opulence of Brann's sound doesn't connote aspirational "audio couture" (a slogan coined by Moving Shadow just at the point the label, and the drum'n'bass scene, started to undergo gentrification) but what New Agers call "abundance consciousness"--in plain, old-timer's English, counting your blessings. Release is the kind of record that reminds you to feel grateful to be alive.