Melody Maker 1995
by Simon Reynolds
Lost classics like Lennie D Ice's "We Are E", which cheekily turned an African chant into an anthem for the Luv'd Up Nation. And like the sultry smooch-core of "Waking Up" by Nicolette (now of Massive, then of the Shut Up and Dance stable), and of Manix's unbearably tender "You Held My Hand". Lost-est and classic-est of the lot, and my absolute favourite hardcore track of all time, is Foul Play's remix of their own "Open Your Mind". With its angel-host harmonies and diaphonous ripple of succulent synth, this track is as goosepimply as the entire works of My Bloody Valentine liquidised in a blender and injected into your spine. Midway, the track veers into the twilight-zone, then turns vicious with a veritable St Valentine's Day Massacre of rapid-fire snares.
Other gems on Disc One include the febrile avant-funk of DJ Edrush's dark-core classic "Bludclot Artattack", as flesh-crawlingly foreboding as stumbling into a voodoo ceremony; the gloriously garbled "Secret Summer Fantasy" by the undeservingly forgotten Body Snatch (somebody anthologise their awesome "Just For U London", pu-leeze!!); plus A Guy Called Gerald's cyber-tribal "Nazinji-Zaka", making good its mysterious omission from the "Black Secret Technology" LP. Drawing mostly on late '94 and early '95, Disc Two is a handy survey of the state of the art-core. The old skool's rushin'-and-gushin' euphoria has given way to a more measured passion; fusion and